FROM JAPANWe all have experienced seeing our vegetables getting wilted in the refrigerator, which were full of water and energy when we picked them up on the market. But after a few busy days when we finally want to use the vegetables, we find an altered appearance. Lifestyle has changed dramatically in terms of economic situation and our life has become busier and busier.

Naturally both wife and husband work and there is less “housewife” archetype who can spend enough time for shopping everyday. We all know how tasty it is to pick up vegetables from the market every morning and eat them, but this seems to be so called “daily luxury”. Also from the research data, more and more people are anxious about “lack of vegetables & fruits” in their daily life, they even take a smoothie instead of coffee on a daily basis, taking fresh vegetables is a big matter nowadays. Recently I found two interesting directions for refrigerators, which have been developed by two home electronic companies in Japan.

Both companies focus on “how to keep vegetables fresh in the refrigerator as long as possible” but come up with totally different answers. HITACHI who is one of the leading companies for technology and social solution has introduced new technology for refrigerators. To keep the vegetables “young and fresh”, their idea is to let vegetables sleep in the refrigerator like the story “ sleeping beauty”. They have collaborated with HOKKAIDO University to develop the platinum catalyst which works functionally even in the low temperature and to disassembly the Ethylene gas from vegetables and make carbon dioxide gas out of it. It keeps the concentration of carbon dioxide gas in the space to let vegetables sleep and not loose their youngness, like a fairytale. If it would be compared with a fridge without this function, it will keep more than 9. The magic moment of sleeping beauty’s wake up is not by the kiss of a prince but when we open the refrigerator and eat.

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On the other hand, there is another trial to keep freshness of vegetables done by MITSUBISHI ELECTRICS. To keep the vegetables fresh they focus on changes in the sun’s rays of the day and imitate the sunray’s change by using LED light. Starting with 2 hours in the morning, they use 3 colors, blue, red and green, and 1. By making a change in the cycle of light in the refrigerator it succeeds in keeping the freshness of vegetables by utilizing the mechanism of photosynthesis.

With the gentle smile of “sunshine” in the refrigerator, the vegetables continues to grow slowly as if they were still in the farm, and as a result, not only keeping freshness, but also succeeded in raising the amount of vitamins and sugar in the vegetables. From this new development, we can read two important messages for creation. Nature is a great resource for innovation indeed and also fantasy has another function to think about things differently, and it is this combination that is our human being’s creativity. Kaori Ieyasu - From Japan.

Flying Saucer, Spring/Summer 1. Koji Udo« Never fully satisfied by his success, Issey Miyake has constantly taken his curiosity one step further, driving his teams mad with his constant and challenging requests. The story of his life has been landscaped by creative encounters with people from all other disciplines such as artists, designers, choreographers and photographers, feeding his thirst for knowledge.

Rarely before has such creativity ever existed.” - Lidewij Edelkoort. Issey Miyake has consistently presented new methodologies and possibilities for making clothes, while always focusing on the future. It all began in 1. How To Install Noiseware In Cs5 Photoshop here. Miyake, a student at Tama Art University, sent a letter to the World Design Conference, which was being held for the first time in Japan that year. The letter took issue with the fact that clothing design was not included in the event. At that point, Miyake’s notion that clothing is not merely “fashion” – i.

Miyake has always explored the relationship between a piece of cloth and the body, and the space that is created as a result, unrestricted by any existing framework. In addition, along with his team of designers, he persistently undertakes research and development to create clothing that combines both innovation and comfort. The exhibition « Miyake Issey Exhibition » sheds light on Miyake’s ideas about making things and his approach to design by examining his entire career, from his earliest work to his latest projects, and his explorations of greater creative possibilities in the future. This exhibition provides viewers with an opportunity to expand the boundaries of their thought and stimulate their creativity, allowing everyone, young and old alike, to experience the joy of creation.

Using a single piece of cloth to create a piece of clothing is his main creative quest, but also an ethical choice. By doing so, in fact, he can develop new shapes, while enhancing the beauty and texture of the fabric and reducing its waste to virtually zero, in respect of the environment. As a result, the almost abstract forms that derive from a single piece of cloth free the body from any constriction, while reacting differently to different body shapes, making clothing truly personal, in an unfussy, immediate way. One room in the exhibition explores the main themes of Issey Miyake’s innovative drive and groups them in thematic clusters. A link unites them in a whole, however, because in the design studio cross- pollination is an essential practice. Fabric is pivotal: a maker of things, Issey Miyake believes that any material can be turned into clothing. He used Japanese washi paper, horsehair and raffia; conversely, he has rediscovered traditional materials.

But he has also experimented special treatments giving surfaces an alive, animal look, as well as exploring futuristic fabrics, such as a polyester that is heat- cut and molded into shape with the aid of just snap buttons. Miyake has also developed treatments based on the idea of re- use, like the Starburst series which acquire a new look after the foil is pressed on the fabric surface, or the needle- punching that produces unique textures by laying layers of different materials. Pleats is a theme that crosses a large dent of the Miyake production. Working first with blends of polyester and natural fibers, then with a specially developed weave of polyester that can be heat processed, Issey Miyake turned pleats, one of the most ancient ways to wrap a three dimensional object with a two- dimensional material, into an expression of aesthetic pureness with a pragmatic aim. He developed a special process of “garment pleating”, which means that a piece of clothing is pleated after it is sawn, resulting in very sharp, defined lines. Pleats allowed Miyake the opportunity of working with shapes that laid flat have almost a purely abstract quality - a staircase, a circle, a flying saucer - playing with the space between body and clothing, but pleats and specifically the “garment pleating” process he devised, ultimately provided the solution to one of Miyake’s dreams to create clothing as universal as jeans and T- shirts, and allowed the creation of a whole new species of utilitarian clothes, at once inventive, sturdy and extremely practical. Freeing the movement was the aim, and in fact these solutions were first tested for the William Forsythe’s Ballet Frankfurt, and later introduced into the collection, finally culminating in the launch of PLEATS PLEASE in 1.

The exhibition actively shows the pleating process as well, revealing the keen engineering that is required in order to pleat a piece that is already sewn. Making things: this is how Issey Miyake defines his activity. Wearable things, in his views, have to be made in respect of the individual as well as in respect of the environment. A- POC and 1. 32 5.

ISSEY MIYAKE are the result of such convictions, almost thirteen years apart from one another. A- POC is a revolutionary process that Miyake developed with Dai Fujiwara in 1.