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D Lenticular Printing Interlacing Algorithm Using Photoshopby. Isaac Cheung. Co- founder of Vi. CGI. com. Introduction. D Lenticular printing has become more affordable because of the ever lowering prices of digital printing equipment found in homes and offices.

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There are many downloadable software products on the market designed for this special form of printing; some free and some for a medium to high price. By and large these products serve one main purpose; i. By understanding how pictures are interlaced and then combined, you will be able to appreciate the principles of lenticular printing better. This knowledge will also help you identify with the terminology used in many other software products. Since CS4 Adobe Photoshop Extended has had some simple 3. D features through a downloadable plug- in. Lenticular Imaging with Adobe Photoshop CS4 Extended by Russell Brown is a must read if you are interested in this subject.

However, we believe knowing why is just as important as knowing how. Through a real example, we will go through the steps in interlacing a lenticular print without an ad hoc program so you will also understand the . This is truly a project for you to make real lenticular prints on home computers and printers. Principle of 3. D Lenticular Printing. A brief review here will help lay the foundation for further discussion. The principle of 3.

D lenticular printing is based on binocular disparity. When we view an object, our left and right eyes see a slightly different image and when combined the brain perceives the sense of depth.

In traditional printing, information can only go left- and- right and also up- and- down. The in- and- out information is lost. In order to perceive in- and- out, we need a way to present the same object with a slight binocular disparity as shown in the picture on the right. A lenticular sheet serves exactly that purpose. When a picture behind such sheet is calculatedly sliced in such a way that some stripes will be seen by the left eye and some will be seen by the right eye, our brain will process these images to create the sense of depth.

If you are interested in going deeper into the theoretical aspect of this field, you can find good articles in the References section. Requirements. Although you can simply read through this article from the beginning to the end and still be able to understand most of it, we do recommend that you go through the steps to create an actual print. Knowing the nuts and bolts of how an interlacing program works will give you the confidence to make good lenticular prints for your future projects. On top of that, it is fun. The items you need for our tutorial include: A slider bar for taking pictures along a straight line smoothly. You can purchase a slider bar from stereoscopy.

Vi. CGI. com is not affiliated with this vendor and does not endorse any of their products. We only tell you where we bought our equipment. A sturdy tripod. A digital camera with reasonably high resolutions, say at least 2 mega pixels. A graphics editing program such as Adobe Photoshop, GIMP (free from open source), Ulead Photo. Impact, or COREL Paint. Shop Photo Pro X3. A lenticular sheet with adhesive backing.

A cold laminator. Lenticular Sheets.

Cold Laminator. You can skip items #1 ~ #3 by using the pictures we provide in this article. But if you really want to take pictures of your own and cannot find the slider bar, consider tying your camera to a 1/1.

If you choose this option, try to find a ruler with an air bubble leveler so you can assure the surface is flat. The scale on the ruler will also let you gauge the distance travelled by the toy car for successive pictures. Although this setup looks very unprofessional, it does work. If your camera has a remote controlled shutter then use it. Otherwise try to make sure the camera is not shifted downward when you press the shutter button. For the graphics editing program we strongly recommend using GIMP because it is totally free and it is just as powerful as Photoshop.

Albeit, we will use Photoshop in our example for the reason that it is more popular. Other programs such as Ulead Photo Impact or Corel Paint. Shop Pro are good alternatives too. Preparing the pictures. Find an object which has in- and- out distance inherently, for example, a potted plant as in our case.

You can also arrange objects so that some are closer to the camera and some are farther away. The idea is to take a sequence of pictures along a straight line. How many pictures do you need to take? Here is the very simple formula. N = RPR / RLWhere N = Number of consecutive pictures to be taken. RPR = Resolution of your inkjet or color laser printer.

RL = Number of lenticules per inch of the lenticular sheet you are going to use. We will explain this formula in greater detail in the next section. But for now, just take it as it is.

For example, Epson advertises that its Photo printers can print in 3. Using the formula, the number of pictures will be (7. If the object of interest is 1.

For example, if the object of interest is 1. If we need to take 1. But if we decide to take only 9 pictures, then the increment will be (1. We can reduce the distance from the point of interest to camera from 1.

But remember this rule is just an empirical formula and it is not absolute. You should make your own judgement based on the scene you have chosen. In theory, the farther the object from the camera, the bigger the stereo base should be. If you choose a big stereo base for a near object, the 3. D effect will be more strong but meanwhile the picture will be more fuzzy.

You can download the 1. D footage (3. 2 MB) from our archive. Download Free Music Honey Bee 2. Putting the numbers together. Recapping the formula.

N = RPR / RLWhere N = Number of consecutive pictures to be taken. RPR = Resolution of your inkjet or color laser printer. RL = Number of lenticules per inch of the lenticular sheet you are going to use.

Looking at the picture on the right will give you a clear idea. If the printer can print 7. These 1. 8 lines will be the aggregate of the 1. In other words, for the final interlaced picture, column number 1, 1. In general, column number k, (k + 1. For computer programmers who want to write Photoshop action script, Photoshop plug- in, GIMP Script- Fu or GIMP plug- in, this information is crucial for the interlacing algorithm. Assuming your program will present a dialog to the users to collect the printer resolutions and number of pictures to be taken, you will need to loop through the pictures and for each picture to loop through the correct column intervals for extracting the stripes corresponding to the specific picture.

The pseudocode of your program will look like. Remainder = RPR % RL. IF Remainder != 0 THEN prompt user for correct number of pictures. N = RPR / RL. Steps = (Picture Width) / N. FOR i = 0 TO (N - 1).

FOR j = 1 TO (Steps - 1). Extract column (i + j * N + 1) of picture i. Insert the extracted column into column (i + j * N + 1) of interlaced image. Ideally the more pictures, the smoother the final image will be. But if you have less than 1. Lenticular Interlacing using Photoshop. Equipped with all the information we have so far we can start the actual work.

Step 1. Create a new Photoshop file with the same size as the pictures taken. Cut and paste the pictures into Photoshop in the right order with the first picture as the bottom layer. Make sure the order is correct. Step 2. Resize the image to 7. Also adjust the final printed size to a reasonable dimensions, say 8- in across to fill almost the width of a letter size paper. But remember, this size is still not final as we will need to crop the image later to account for the binocular disparity shift. Step 3. Adjust the level of individual layer to make them more consistent. How To Install Ring And Pinion Dana 35 Carrier here.

You do not want the final print to be brighter from one angle and darker from the other unless that is intentional. If you can avoid using flash light during the shooting then most likely you can skip this step.