New features summary for the 2. Adobe Premiere Pro CCThe 2. Premiere Pro CC (April 2. With this release, you can create graphic objects and titles effortlessly directly on your video using the new Titler built on the same text engine as Photoshop and Illustrator. It's easy to obtain professional quality results with no audio expertise when you are editing audio in Premiere Pro. Publish to Stock effortlessly and start contributing to Adobe Stock and reach millions of creative buyers by using the new direct publishing option available in Premiere Pro and Adobe Media Encoder. This release also includes a host of other exciting features including: New audio effects & improved integration with Adobe Audition - Send audio effects and keyframes used in Premiere Pro to Audition without any rendering.

Ambisonic audio output for VR- enabled platforms such as You. Tube and Facebook. Support for Apple Mac.

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Enhanced support for Team Projects Dynamic Link. Motion graphics Enhanced 4. K 6. 0p performance. Improved support for Apple Metal. Video preview of Stock footage within the Libraries panel and much more. For a summary of features introduced in the previous release of Premiere Pro CC, see Feature summary . Once you select some media and press the Add button, a new project is opened with your clips in the Project panel.

A sequence also gets automatically created from the selected media, in the order that the clips were selected. You can now get started quickly with a new project, play back a sequence in the Timeline and start editing. Adobe Premiere Pro CC subscribers see this Welcome screen once during the first launch. New in this release of Premiere Pro CC  2. You can also add images or video in Clip Layers to complete the graphic. Easily rearrange and adjust layers and their properties  right inside the Essential Graphics Panel, and use familiar controls with the Effects Control Panel for motion and effects to create stunning motion graphics.

The new Title tool offers a simple and intuitive way of adding text directly on the Program monitor. It’s fast and easy to change size and position of your title, change color and font type, or use different alignment options. Assign a title as a master graphic and every iteration of that graphic through your sequence gets linked.

Alter the master graphic, like changing the font, color or size, and see that alteration ripple through all instances created from the master graphic. Titles and Graphics created in the Program monitor are automatically added to your sequence, saving you time and adding flexibility to the creative process. All controls for the new Title tool can be found in the new Essential Graphics Panel, part of the new Graphics Workspace. Video editors often don’t have the bandwidth or expertise to create dynamic, professional graphics, or graphics packages such as titles, lower 3rds, bumpers, and closing credits. However, they want the ability to change core properties quickly and efficiently within the graphics throughout a given project. Premiere Pro allows editors working with Motion Graphics templates created in After Effects to change some variables (dictated by the After Effects artist) such as text, color, size, layout, or mood of the motion graphic without changing the overall aesthetic. Editors and motion graphics artists can easily share Motion Graphics templates through CC libraries integration.

To learn more, see Essential Graphics Panel. New in this release of Premiere Pro 2. The Essential Sound panel in this release of Premiere Pro empowers video editors to easily handle mixing techniques for their projects without the need for audio expertise. The Essential Sound panel can be found as part of the Audio workspace inside Premiere Pro. Using this panel, you can easily designate whether an audio clip is music, effects, dialogue, or ambience and choose are given straight forward audio parameters, appropriate to the selection made, so you can achieve optimal sound quickly. This gives you the opportunity to effortlessly reach millions of creative buyers and also receive best- in- class royalties for your work. Sharing your projects via Destination Publishing allows you to render and share videos to popular web locations from directly within Premiere Pro and Adobe Media Encoder CC.

To learn more, see Publishing to Stock. New in this release of Premiere Pro CC  2. Team Projects now allows users to collaborate in Adobe Media Encoder CC along with Premiere Pro CC, After Effects CC, and Prelude CC. Using Adobe Media Encoder you can access Team Projects for batch export when you are working with multiple projects. Team Projects support for Premiere Pro now also includes support for Dynamic Link, and Motion Graphics Templates support. New in this release of Premiere Pro CC  2. Premiere Pro supports more sequence components and settings that were not transferrable before.

Some of the new effects that are now available in Premiere Pro include: Convolution Reverb. De. Esser. Distortion.

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Hard Limiter. Mastering. Pitch Shifter. Stereo Expander. Surround Reverb. As part of this release, there are also several other audio effects that have been updated to include real- time spectrum displays and gain meters and look futuristic. New in this release of Premiere Pro CC  2. You can also calibrate audio as per your orientation and position. Much like VR video in Premiere Pro, the audio is an explorable 3.

Expanding on the foundational VR workflow components Premiere Pro now offers Ambisonic audio to take the VR experience to the next level with positionally aware audio represented within the spherical video. To learn more, see Assembling Ambisonics Audio. New in this release of Premiere Pro CC  2.

You can also use the new Microsoft Surface Dial for fine adjusting of parameters directly on the Surface Studio. To learn more, see Files supported for export with Media Encoder. New in this release of Premiere Pro CC  2.